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Fields, bushy groves and a row of skinny conifers roll toward a pale blue river, a church steeple poking out of the trees and a woman at work inside a white house at the edge. Édouard Vuillard, a core member of the Nabis, signed it in 1899. It is a landscape that behaves like a tapestry, and it rewards the kind of slow looking that a window invites.
