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A tiger built entirely from bold black brushstrokes sits grinning with saucer eyes and a mouthful of teeth while two magpies heckle him from a pine branch, a cub curled on his tail and another at his feet. This is the tiger and magpie pairing that Korean folk painters returned to again and again in the late Joseon period, hung to turn away bad luck. The tiger is supposed to be fearsome. He looks delighted to be here.