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A calavera tapatia, a skeleton from Guadalajara, rendered as a cheerful bit of broadside satire. Attribution splits between Manuel Manilla and José Guadalupe Posada, who worked the same Mexico City presses a generation apart and shared a talent for making death look like it was having a good time. Regional pride, rendered in bone. A sharp pick for anyone who likes their decor with a little grin and no skin.
